Advancing and invigorating the art of chamber music for tenor, baritone, and bass voices across genres and generations through world-class performance, education, and commissions; within New England and across the United States.
Hometown: Miami, Florida
Praised by the Boston Musical Intelligencer for his “burnished tenor” and the
South Florida Sun-Sentinel for his “thrilling dramatic impact,” the lyric tenor
Fausto Miro has sung with some of the country’s leading ensembles, and is a
critically acclaimed performer of concert and operatic repertoire. Recent operatic
performances include Catalbutte in the world premiere of Francine
Trester’s Sleeping Beauty at the Nahant Music Festival, as well as Fritz in L'amico
Fritz, Mr. Owen in Argento’s Postcard from Morocco, Rinuccio in Puccini’s Gianni
Schicchi, Leon in Pasatieri’s Signor Deluso, and Aeneas in Purcell’s Dido and
Aeneas with the Longy School of Music. Other recent performances as a soloist
include Rachmaninoff’s All-Night Vigil, Saint-Saëns’ Oratorio de Noël,
Handel’s Messiah, Haydn’s Lord Nelson Mass, and Brubeck’s La Posada. Recently
returned from Mexico, Mr. Miro performed the role of Alfred in Opera San Luis'
production of Die Fledermaus, to great acclaim. During his tenure with the Opera
Festival of San Luis & Gesang Festival, he succeeded as a finalist in the Linus
Lerner International Vocal Competition. A resident of Boston, Mr. Miro serves as
tenor section leader at Trinity Church in Copley Square, and was recently
appointed the newest cantor of the Central Reform Temple. He’s also a core
member and featured soloist with local organizations such as, Cappella Clausura,
The Copley Singers, and will make a special appearance with Renaissance Men,
New England's professional male vocal chamber ensemble. While his 2017-2018
season will include many wonderful performances, he's elated to make his role
debut as Rodolfo in La Boheme with Boston Opera Collaborative.